Embracing one’s transgender identity is a tremendous act of courage in a world that refuses to acknowledge their very existence. The narrations of their trials and tribulations continue to prevail despite the measures taken by the state machinery to assert their rights or the transgender revolution that spilt over in recent times. So long as the society continues to deny them a conducive space to exert their existence, the transgender community will have to endure hardships in all walks of life. The present-day researchers have increasingly shifted their focus on the LGBTQIA+ community to unravel their survival tales and awaken the population to their basic human rights.

Dr Anu Kuriakose, Assistant Professor from the Department of English, has also been looking into transgender lives and the anomalies in their representation. Her research analyses the inclusion and representation of transgender people in Indian films with a specific focus on the shift in representational politics and inclusive strategies in films of late. She has recently published a paper titled “Deconstructing the Trans-Inclusivity Myth in Chandigarh Kare Aashiqui” in the Economic and Political Weekly.

The article offers a critical reading of the Hindi film Chandigarh Kare Aashiqui (2021), which appears to maintain an inclusive outlook towards the queer community. Through the article, Dr Anu draws attention to the glaring presence of transphobic and homophobic attributes even in such progressive films. Her research attempts to analyse whether there have been any significant shifts in trans representation and inclusion in contemporary cinema.

She has also published two chapters, “The Impact of COVID 19 Pandemic on Employment and Livelihood Opportunities of Transgender Community in Kerala” and “The Double Marginalization of Transgender People During the COVID 19 Pandemic”, in the books COVID-19 Pandemic and the New Normal and Keralam in the Path of Survival respectively. The works recount the unspoken sufferings underwent by the transgender community in Kerala during the pandemic times. The chapters were co-authored by her peer, Dr Vinshi P K.

Her upcoming research plans include addressing gender diversity and inclusion in academic discourses in the vernacular of Kerala and critically reviewing the representational politics of trans femininity in visual cultural texts. By researching the portrayals of transgender community, Dr Anu intends to enhance awareness on the deviant representation of queer community in the realms of literature.

“Social media reality may be seen as a magical realm where we belong. That’s where the tribes gather, and that’s the place to be – on top of the world. Social relations in “real life” have lost their importance”– David Brooks

Technological sadness has become the default mental state of the online billions. The Department of English at SRM University-AP organises a guest lecture titled “Programmed Sadness” on April 11, 2022, to discuss the emotional analytics of network cultures. Prof Geert Lovink, Amsterdam University of Applied Sciences, will engage the participants at 3.30 pm on that day.

What happens when nothing can motivate you anymore, when all the self-optimisation techniques fail, and you begin to carefully avoid these forms of emotional analytics? Compared to others, your ranking is low – and this makes you sad. In this presentation, Dutch media theorist, internet critic and founder of the Institute of Network Cultures will discuss the dark side of the net. The mental state of internet users is tragic. Instead of empowerment and self-organisation, what we mostly see around is anger and despair. How did we end up like this? The lecture will zoom in on the widespread techno-sadness that is produced by dominant social media platforms through ‘behavioural modification’ (also known as ‘nudging’) with the aim to keep users coming back to the app, exposing them to even more personalised ads. Instead of empowerment and diversity, we witness a ‘chilling effect’ of hyper conformism, resulting in anger, sadness, depression and loneliness. This is the social reality today.

About the speaker

Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organization after Social Media (with Ned Rossiter, 2018), Sad by Design (2019) and Stuck on the Platform (2022). He studied political science at the University of Amsterdam (UvA) and received his PhD from the University of Melbourne. In 2004, he founded the Institute of Network Cultures (www.networkcultures.org) at the Amsterdam University of Applied Sciences (HvA). His centre organises conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism, and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the arts. From 2007-to 2018, he was a Media Theory professor at the European Graduate School. In December 2021, he was appointed Professor of Art and Network Cultures at the UvA Art History Department.

All students and faculty members are invited to join this illuminating session on April 11, 2022, at 03.30 pm via the zoom platform.